The key job of a songwriter is to write a song. Not to execute the song. Not to record the song. Not to market the song. Not to offer the song. But to write the song.
Your primary skill as a songwriter is to select the best notes and right chords to choose the best words and right song title and write them right into a song.
You write a tune for whom?
Firstly, for the conclusion listener. The person who will in actuality emotionally and financially choose the song, either through buying a CD or record or buying a live performance of the song How Much is Tekashi69 Worth.
Secondly, for the record company, who will turn a tune right into a product (like accurate documentation or CD) that can be sent to the conclusion user through radio or retail stores.
Thirdly, for radio programmers, who decide what their listeners will listen to.
Fourthly, for the performer of the song who has to offer a performance that the record company may wish to capture and the air station may wish to play.
So you could argue for more visitors to be added to this list or for this list to be reordered. But essentially they are the people for whom a saving songwriter writes.
So, so you know who to write for, how to become songwriter for these listeners is the main element question.
What key skills do you need to become songwriter?
As a songwriter you need to know how to write lyrics, how to write melody, how to write chords and how to write your song as a lead sheet. As a tune owner and seller you need to also know how to choose the song to demo and just how to record a compelling demo.
Put another way, as a songwriter, you are a lyric writer, a melody writer, a note writer and a lead sheet writer. That’s, to be considered a songwriter, you need to write in these four dimensions.
You might be a solo songwriter like Billy Joel and Bob Dylan do all four things yourself. Or you can be part of a partnership like Lennon-McCartney or Holland-Dozier-Holland and specialise in the lyric or music role or move involving the roles, with respect to the song.
So, how to become lyric writer is one of many sub questions of the big question: how to become songwriter.
The key skill is the capability to manage to tell an account rather than simply throw words or rhymes together. One of your key lyric skills is always to manage to create song titles and then write your lyric around that.
There are many conventions about loading your chorus up together with your title lines and using your verse and bridge to guide that line. In addition you need to learn to write your story within conventional forms.
Fortunately, you will find plenty of resources both on and offline that could educate you on how to write lyrics. Naturally, to become lyric writer you will need to write habitually and exercise your skills daily.
The process of melody
Unfortunately there’s less resource around that could support you in becoming a melody writer. Whereas there’s a sound lyric writing literature open to songwriters, no comparable literature exists for melody writing skills.
Much of what passes for melody writing advice lives is usually the twins of superstition and obscure theory in drag, neither of which actually tells the melody writer how to choose the best notes for their melody. Nor teach them how to become songwriter.
The 2 main melodic skills you will need would be the concepts of contour and span. Contour means melodic direction and shape and whether any given note is at an increased, lower or same pitch as the prior one.
Jack Perricone identifies four contour shapes in his book entitled Melody in Songwriting: Tools and Processes for Writing Hit Songs (Berklee Guide).
There are in fact a huge selection of contours, depending on how many notes you will find in your melodic phrase. These contours can effectively show you how to become songwriter. At the moment there’s only one melodywriting site online that educates songwriters about these melodic goldmines.
Span can also be vital that you your melodies and ensures that you write for ordinary people who will sing and hum your melodies while they wash their car or vacuum their house or console themselves. Focus on span means you’ll write for the fans, not for virtuoso singers who never buy or sing pop music generally, aside from yours.
Anyone seriously wondering how to become songwriter will not neglect melodic span.
Chords and harmony
Fortunately one area where songwriters are relatively well served is in the chord writing area. There’s no shortage of stuff teaches you scales, chords and chord progressions. Compared to learning lyric writing and melody writing, learning scales and chords is straight ahead, like learning an orange pages directory.
The more songs you write, the more you realise how secondary chords and voicings are when you are coping with the absolute core of songwriting: deciding which notes go best with which words.
Scales and chords aren’t useful as of this time. They’re very important however when you have selected the notes and words for the song and it’s time for an arranger and a maker to prepare your notes and words into voices and sounds your fans will love.
Nevertheless, deciding on the best chord for the melody is an important element of how to become songwriter.
So in becoming a songwriter you are becoming a lyric writer, a melody writer and a note writer. But as important as these skills are, the most important skill has not been mentioned yet.
Rhythm to song is similar to oxygen your
A vital element of how to become songwriter is how to become talker, reader, writer and player of rhythm.
While we are able to consider rhythm to be a separate concept (and you will find good reasons because of this view) it is so embedded in lyric, melody and harmony, that you need to understand how rhythm integrates each aspect in addition to how it separates from each too.
Words include meaning and rhythm. Melody includes pitch and rhythm. Harmony includes simultaneous sound and rhythm. Rhythm includes rhythm and timbre. There’s no escaping the importance of rhythm and understanding, talking, reading, writing and playing rhythm is just a key element of how to become songwriter.
Again, like melody, the news headlines is not too hot here.
Ethnomusicologists report on many cultures around the world who’ve rich, verbal languages for counting and talking rhythm. Musicians of South India are full of this regard. Musicians of the west aren’t so blessed. Which slows our rhythm education down a bit. And hamstrings us as songwriters if we do not overcome this handicap.
Fortunately with the emergence of rhythmeggio–which is just like the solfeggio for rhythm—songwriters will have a simple to learn language that allows them to talk, read and write rhythm like their first language.
And speed up their understanding of how to become songwriter and their ability to write an acceptable number of songs to acceptable levels much faster than they otherwise would.
How to become songwriter to sum up
So the keys areas of successfully knowing how to become songwriters lie in becoming proficient at writing lyric, at writing melody, at writing chords which often is accelerated by your power to talk, read and write rhythm.
These are the skills that permit you to pick the best notes and right chords to go together with your words and song title and so earn you the best to call yourself a songwriter.